Sunaina Khandelwal is an Artist and Independent Curator who has graduated with an MA in Fine Art from the University of the Arts London, UK.  She is  currently residing in Toronto and her curatorial work focuses on the social issues concerned with cultural inequality and ethnic diversity within the artworld. As a result, she looks to research and support the works of BIPOC communities on a local and international scale.

Khandelwal's personal practice explores the status and meaning of colour within the contemporary art world. Colour as a material is a fundamental part of painting but is constantly unappreciated as a subject within itself. The artist believes that colour is often perceived merely as a picture making tool whilst the significance of its pre-existing cultural ideologies and histories are overlooked. As a result, her work is concerned with how the pigments we painters use today, act as contemporary re-enactments of their historic selves by manifesting  an essence of a cultural past that is embedded within their materiality. 


The artist often creates her own pigments from clay, rocks and charcoal in order to reference fragments of a material history from a contemporary position. The process of hammering, crushing, mixing and grinding the pigment into paint  plays an integral role in Khandelwal's practice since this  resonates with how colours were first created during the prehistoric era. Through this process,  the artist retraces pigment history from a contemporary perspective. Alongside the use of handmade pigment, Khandelwal's artworks incorporate 'store bought' oil paints as she looks to question how the specific categorisation of these contemporary colours  challenges our visual perception of the artworks we encounter.